| ______________News
 Writing Residency Application DeadlineAugust 26, 2024, 6pm
 For 2025 Program in Montricher, Switzerland

 The Jan Michalski Foundation’s residency for writers is designed to  provide an environment for literary creation and to support those involved in  the written word. The  residencies can vary in length and can be for either individuals or pairs of  participants in the case of projects involving more than one discipline. A  percentage of the residences is dedicated to nature writing, a form of fiction  or creative non-fiction that raises awareness of nature, prepares for  sustainable ways of living, and helps to better understand socio-environmental  interconnections and the impact of human actions on nature.  Applications will be assessed based on three criteria: the quality of  the project, the candidate’s professional background, and whether or not the  length of the stay matches the scope of the project. Beginners’ applications  are assessed based on the quality of the project and the motivation they are  able to convey in their application. A panel of experts chaired by Mrs. Vera  Michalski-Hoffmann will make a decision on all applications. You can learn more about the program and application process here Residency.       . . . . . .12th World Wilderness Congress * the Black Hills, USA * Aug 25-31, 2024
 
 For more information: www.wild.org/wild12             . . . . . . Green Radio Hour Features Poet  Matt SpirengListen Here
 
A  Conversation with Prolific, Prize-Winning Poet Matt SpirengMatt has been writing poetry since  he was in high school but it has accelerated since 1989. While he admits many  of his “poem-a-day” may not be ready for prime time, more than 1,600 have been  published, including in eight books and three chapbooks, garnering him praise  and honorifics from the publishing world and poetry societies. In this Podcast  Matt is interviewed by ILCW member Jon Bowermaster who is a film maker and the creator  of the Green Radio Hour podcast.       . . . . . . Minden  Pictures Photo Embeds for Free Specialty stock photo agency Minden  Pictures represents top wildlife and nature photographers, including many  National Geographic freelancers. Minden Pictures has partnered with SmartFrame Technology  to release a collection of over 140,000 fully-licensed images as photo embeds  that can be freely posted to blogs and websites and shared on social media. The intent behind this new product launch is that access to  premium images at no cost can help conservation and science writers make their  online posts more compelling and their messaging more effective. Minden Pictures Embeds are streamed still images that may  be posted and shared as easily as a YouTube video by copying and pasting code  into your HTML editor. When shared to social networks, an eye-catching thumbnail  links back and drives web traffic to your original post. You can use embeds in current projects or refresh existing  posts. Embeds may be used in any context except for selling products or  services.If this resource is of interest, you can learn more  about Minden Pictures Embeds at the following links:
 Photo Embeds  - What are they and how do they work
 Introduction  to Minden Pictures Embeds by SmartFrame,
 Browse the  Minden Pictures Embed collection
 Sample  Photo Embed published in an online textbook
 Questions or comments are welcome. Reach out to Robbie  Schmelzer (ILCW Associate, USA), Minden Photo Embed Guy, +1-808-747-6476. Or callrob@gmail.com.
       . . . . . . Green PodcastsGreen Radio Hour with Jon Bowermaster, this  podcast features Pete Lopez (Scenic Hudson) on the future of PCBs in the Hudson  Valley, New York (USA). Rewilding Earth Podcast featuring Liz Hillard discussing  Wildlife Connectivity in the Pigeon River Gorge, corridor of the Great Smoky Mountains National Park in  North Carolina and Tennessee (USA). Regarding the redesign of bridges and other  barriers to accommodate wildlife.  . . . . . . Poetry in  an age of ecological crisis(ILCW member Elizabeth Herron is poet laureate of Sonoma  County, California, USA. She shared this article with ILCW)
 Graton poet Elizabeth Herron writes  poems about the natural world in crisisBy Mark Fernquest
 
 It’s a busy time for Graton, California writer Elizabeth  Herron. As Sonoma County’s Poet Laureate for the 2022-24 term, literary events,  local functions and her signature ‘Being Brave’ classes keep her schedule full. “Being poet laureate for me is an act of service; it’s a way  of giving back, and it’s a way of expanding the role of poetry in our lives,”  she said.Born in Chicago and raised in Hawaii, Herron earned a  master’s in counseling at San Francisco State University, then studied  biopoetics, earning a doctorate in psychology from the University for  Integrative Learning. After a stint at San Francisco State University, she  worked at Sonoma State University, first at the counseling center and later in  the creative writing department.
 A pivotal moment in her life occurred in 1991 when she  witnessed firsthand the devastating environmental damage wrought by the  Dunsmuir Spill, in which a train accident leaked 19,000 gallons of deadly  herbicide into the Sacramento River. The chemical impact reached all the way to  Lake Shasta, 20 miles downstream. “I became conscious about what was happening to the natural  environment,” Herron said of the experience. Though she lived in West County by then, the incident  galvanized her to dedicate a decade of her life and work to the study of wild  trout and salmon and threats to their survival and, later, to climate change.  Today the topic of climate crisis infuses her writing, and she tirelessly  advocates for nature through her essays, poems and readings. Her poems, she said, “come first and foremost out of my  heart, and my heart takes me to a deep, deep concern for what’s going on around  me, what’s happened to the planet, what’s going on with the climate and how  that’s affecting all life.” An essayist and poet, Herron’s work has appeared in literary  journals and magazines including Reflections, West Marin Review, Free State Review, Silk Road, Orion, Parabola, Ions, Comstock  Review, Eco-Citizen and Jung Journal, as well as numerous  anthologies. She has also published several books. Her latest published book, In the Cities of Sleep (Fernwood Press, 2023), is her contribution to EXTRACTION:  Art on the Edge of the Abyss, a global creative project dedicated  to exposing all forms of extractive industry and consisting of 50 intertwined  exhibitions and events. A collection of climate-crisis poems, her book  addresses the bigger picture of dwindling resources and resulting discord in  our rapidly warming world, pushing us, as humans, to look for more viable  alternatives to our present path. Herron initiated the Being Brave Poetry Project when she  assumed the role of local poet laureate in 2022. “As Poet Laureate I offer workshops to foster the writing of  being brave poems where people who may never have written a poem before can  find words for what being brave means in their lives,” she said. “The workshops  include conversation about what our poems tell us of what it means to live  courageously. Along with each workshop a reading can be arranged.” She continued, “I have been a student of Carl Jung’s work and  I’m not a Buddhist, but I have read Buddhist texts and commentaries. So it’s  all part of what I bring with me. But I think mostly what I bring is my own  willingness to be open and vulnerable. That’s part of what makes the workshops  come to life. And I think to be brave, we have to have company. We need each  other.” The three-hour workshops are designed for groups of 5 to 25  people. Each includes an introduction with samples of being brave poems, time  for writing, time for sharing and facilitated conversations. Herron holds them  in various locations, including at Sebastopol Center for the Arts and the  Occidental Center for the Arts. Interested parties can contact her directly  with questions or requests via her websites at www.elizabethherron.net or www.elizabeth-herron.com. The classes have proven meaningful to both her and the  students. “There has been such a level of connection and intimacy with  one another and [with] me,” she said. “I feel part of that, and it’s such a  privilege. To be with people when they are open and in that kind of deep way  where we talk about where our courage is, where our fears are. Because, you  know, you can’t be brave without being scared.” She added, “I think it’s been very successful. It’s kept me  really busy. That period of time has been wonderfully busy. Sometimes two  workshops a month; all together, probably 10 or 12 workshops so far. And  they’re in different parts of the county — in bookstores, in private homes, in  churches. That’s fine with me. I’ll work anywhere where people want me to  come.” Her advice for young writers? “Write every day. Ten minutes, five minutes, so that writing  is a habit so that when you are ready for the graced material that comes to you  from the muse or outer space, you are ready; you have your chops,” she said. “I  write first for myself. Some of us writers, we’re led first to writing to find  something in ourselves we wouldn’t find any other way.” What’s next for Herron, after her busy sojourn as Sonoma  County Poet Laureate ends, in the summer of 2024? Perhaps a return to solitude  is in order. “Poetry is the solitary art and so [it provides] lots and  lots of aloneness and time to reflect, which is the thing that I probably miss  a little,” she said. “I’m generally used to a little more of that than I have  these days. But I’ll have it back.” This article is from the Sebastopol Times, a reader  supported publication. For more information about the on-line journal https://www.sebastopoltimes.com/
 Elizabeth Herron  can be reached at: EHsocopoetlaureate@gmail.com or www.elizabeth-herron.com
 _________________Member Writing
 Assorted StoriesBy Meera  Subramanian (USA) Fellow
          ILCW member Meera Subramanian, has two recently published  articles, one in the New Yorker and in Orion magazine. The New Yorker article, Consider the Vulture, was  a long time in the making, about the recovery of vultures in South Asia after a  catastrophic decline, funded by a National Geographic Storyteller grant. Click  here to read. 
 The Orion article, An Amazing 200 Million Year-Old Race,  is about a release of baby sea turtles on the shores of Mexico. Read about it  here.
 
 More of Meera’s writing can be found here.
 Restless at My Writing Desk
By Michael  McBride (USA) Fellow  **Feeling restless at my writing desk one day, I reached out  for the neolithic stone hammer that I had found a few days earlier below the lower pasture. It was about to be  swept away by the meandering flow and buried again under some downstream sand  bar, not to see the light of day for a thousand years. At times like this when  I am looking for lap-top endurance or light-hearted  inspiration, it spoke to me in  its basaltic tongue and bid me come again down-pasture and trade my computing  brain for the mindset of the person who had made it. His voice was clearly  heard intermingled with the river’s’ pulse. He told me that a simple walk to a  river offers discoveries, real and imagined that can change your life’s  perspective. It requires only that you be aware, mindful and open minded. To  know this and respectfully return the artifact to the earth and its makers from  whence it came, is to know them and the beat of your own heart and to be thus, completely alive.
 Aldo Leopold describes in his poetic Sand County Almanac a riverside farm behind which the farmer has a “library” of books, old boards carried downstream by  the flow and gently deposited on the curving sandbar near at hand here he found  them. Like fingerprints, each carries some assignation of who used it upstream  and to what purpose? The farmer studied each piece, wondering at its use based  on nails or lack of them, saw cuts, holes drilled and abrasions which might  tell of its travels from distant lands. Deciding that there was still some  utility aboard, he carried the treasure, long or short, thick or thin, to the  backside of the barn. There he marries it to the existing collection so that in  some mid-winter tinkering in the barn-shop, he might pluck it out of the snow  to find a new utility that started as a seed and a sapling and became  a log for the sawmill. Reading books can be turning pages at fireside,  or plucking an old friend out of the snow.  _________________Member News
 Do you have news?Let us know if you have won an award, written a new book, or launched a creative endeavor to bring awareness to conservation. Chances are the ILCW membership is not aware of these things, so be sure and tell us. Send items to:patty@ilcwriters.org
 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TOP | ____________________New Books by
 ILCW members
  Turning Homeward, 2nd Edition Restoring Hope and Nature in the Urban Wild
 By Adrienne Ross Scanlan
2023, ARS Books, Paperback and Kindle
 
 Grief-stricken after her father's death, Adrienne Ross Scanlan journeys west to seek a new life in a new place. Arriving in Seattle without a job and knowing no one, she encounters the iconic Pacific Northwest salmon in an unlikely place—a Puget Sound suburban creek—and discovers home by helping restore the nature that lives alongside us.         Part memoir, part science-based nature writing, Turning Homeward takes us into the messiness and satisfaction of hands-on restoration, whether it's the citizen science of monitoring coho salmon die-offs in a Seattle creek or relocating a bumblebee hive. Along the way, Scanlan explores the real-world paradoxes of repairing home, such as when one nonnative transplant (Scanlan) yanks out another (Himalayan blackberry) to create habitat for native plants, or the opposing needs of homeless people versus birds, who both seek refuge in a beloved city park.  What Scanlan learns about nature's resilience and the Jewish concept of tikkun olam (repair of the world) sustains her when her beloved daughter is born premature.         In lyrical writing that engages but never preaches, Turning Homeward's heartfelt union of science and spirit shows that restoring the nature close to our lives also restores our courage, joy, and hope for the future. . . . . . .        Reverie: Wing & Fin, Fur & Scale By Marian Blue (poetry) and Cherie Ude-Crowe (photography)
        2023, Sunbreak Press, 8x10, 129 pages, hardcover and paperback
 What a generous gift Reverie is to all of us sharing this planet with flora, fauna, land, sea, and sky. To have these poems and photographs together is like winning two lotteries at the same time. Cherie Ude-Crowe’s eye for composition, light, and subject is awe-inspiring. Ever stellar poet Marian Blue’s wit, wisdom, and well-honed skills build powerful poems, and in particular, their sonic structures are a thing of aural beauty. This book is truly a feast for eyes and ears! The poems and photographs moved me deeper into an appreciation of our beautiful home, even as many are a call to respond to eco-collapse in these dire times. I admire how each animal is an individual to be seen and heard, and how the land herself has a voice here. In the sweeping, expansive poem Berg, Blue writes: “Earth:/alive, ever creative, ever changing,/challenging everything she shelters –/adapt, evolve, protect, and revere.” Truly, each time I reread this book, I find another gem of a line or see something anew in a photograph. Even the forward is in essence an Ars Poetica: “The trick is to notice your world during and between blinks. See the living and dying; feel the air cooling and heating; smell the suggestions of rain and wildflower blooms; hear frogs and birds and coyote songs; taste fear when the unexpected sparks adrenalin. This is magic, mystery, spirituality, joy, and infinite blessings rolled into daily life.”
        —Malaika King, author/editor  . . . . . . 
 Heaven  UnderfootBy Diana Woodcock
 2023, Codhill Press
 Paperback, 86 pages, 5x5 x 9
 Winner of the 2022 Codhill Press Pauline Uchmanowicz  Poetry Award.The speaker of the poems in Heaven Underfoot—by  immersing herself in the more than human world of several diverse biomes, from  the Arabian Desert to the Everglades, Southern Africa, the Arctic Circle, Great  Smoky Mountains, and the Tongass National Forest—has endeavored to make the  non-human environment central rather than marginal as she explores and  celebrates the sacred within and on this earth. For  more information, go to https://www.codhill.com/product/heaven-underfootdiana-woodcock/
 ReviewsIn Diana Woodcock’s Heaven Underfoot, we find a  beautiful marriage of scientific fact, social understanding and lyric image.  This book travels the world with eyes wide open and a generous heart—Africa,  Cambodia, the Arabian Desert, the Arctic, the Great Smoky Mountains, the  Everglades—and everywhere it goes, it names the world with specificity and  music. While acknowledging the imperfection of a human inhabited world, these  poems remain awash in gratitude and wonder. They invite us to participate in  that wonder and, along with the poet, to “give thanks all day / For the rapture  and despair, / For all that is missing / And all that’s still there.”
 —Anne McCrary  Sullivan, author of Notes from a Marine Biologist’s  Daughter
 Diana Woodcock’s sixth book of poems, Heaven Underfoot,  celebrates the immeasurable abundance, beauty, and strangeness of earth’s  creatures in various parts of the world where she lives or has traveled: the  Arabian Desert, southern Africa, the Svalbard Peninsula, Florida’s River of  Grass, the Great Smoky Mountains, the Tongass. Her immersion in and intimate  knowledge of the other-than-human world make the book a rich pleasure. There’s  “so much we can’t know,” she writes; yet, “becoming overwhelmed by a sense of  your own insignificance, you find it liberating, intoxicating; you feel, for  the first time in the longest time, utterly at peace here in the midst of wild  things.” And in the poem “Put All America Behind You,” she sounds an urgent  note about the environmental peril of our times: “Wander and wonder / on  [earth’s] rich mosaic—let her fill in / the gap and bring you back / from the  dark brink."—Ann Fisher-Wirth,  author of Paradise Is Jagged and The Bones of Winter Birds,  coeditor of The Ecopoetry Anthology and The Ecopoetry Anthology:  Volume II (Trinity University Press, 2025)
 . . . . . .  The Central Appalachians: Mountains of the Chesapeake By Mark Hendricks
 2023, Shiffer Publishing, Hardcover
 10” x 7.5,” 192 pages, 254 color photos
 Beautiful and wild, the Central Appalachians of Maryland,  Pennsylvania, Virginia, and West Virginia are a hotspot for biodiversity. They  also make up a large part of the Chesapeake Bay watershed and are responsible for  a majority of its freshwater flow. 
 Award-winning author and nature photographer Mark Hendricks spent years documenting  life on the mountain trails and underneath Appalachian waters and built camera  traps to capture images of rarely seen species. Not only are these images  beautiful and fascinating, but they bring more understanding of the  environmental importance of the area.
 
 Well-known locations such as Shenandoah National Park are  featured prominently, as are little-known areas such as the Finzel Swamp and  the famous reintroduced elk herd of north-central Pennsylvania. It’s a wild and  wonderful journey for all nature lovers.
 
 ________________See all Books by ILCW members here
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